Hailed for his superior artistry as the Spanish maestro of the guitar, Angel Romero’s eminence in the music world as soloist and conductor is heralded by audiences and critics alike. One of the most sought-after musicians of his generation, Angel Romero has appeared in the major cultural centers throughout the world including those of London, Paris, Berlin, Vienna, Madrid, Munich, Zurich, Chicago, Los Angles and New York among others. He has appeared as soloist with such leading orchestras as the New York Philharmonic, the Cleveland Orchestra, the Royal Philharmonic, the New World Symphony, and the Royal Concertgebouw Orchestra. As conductor, he has led numerous orchestras worldwide including the Pittsburgh Symphony, the Academy of St. Martin in the Fields, the Royal Philharmonic, Germany’s NDR Symphony Orchestra and the Berlin Symphoniker, the Beijing Philharmonic, the Euro-Asia Philharmonic, the Shanghai Symphony, the Bogotá Philharmonic, the Chicago Sinfonietta, the Orquesta de Baja California, the Santa Barbara Symphony, the San Diego Symphony and the San Diego Chamber Orchestra among others. Regardless of his role on stage, his driving intensity and flawless control mark him as a true master of the arts.
Angel Romero’s extensive discography includes highly acclaimed recordings for Delos International, RCA Victor Red Seal and RCA Victor Worldwide, Telarc and Angel/EMI. In 2001, Delos released “Bella,” which includes monumental pieces such as Bach's Air on the G String to Romero's own father's Tango Angelita - a composition dedicated to his late mother. In 1999, “Romero Plays Rodrigo” was released featuring works written for and dedicated to Angel Romero through his long and close relationship with the Spanish composer. In 1998, he was featured as soloist and conductor in an acclaimed recording of Vivaldi’s guitar concertos with the Academy of St. Martin in the Fields. In 1995, RCA released a crossover recording of flamenco and pop music, featuring Angel Romero playing a diverse repertoire spanning works from Pachelbel to Bill Conti. This particular recording features Mr. Romero’s world-premiere transcriptions for one guitar.